This essay seeks to see if one side or the other in the hunting debate gets more purchase if we first ask what gives the state the moral right to promote sport hunting when the practice is in deep decline. We look at the dominant economic and political reasons for state support, none of which settle the moral matter. We then look at various state appeals to moral justification (ethical hunting, the right to hunt, the value of heritage, etc.) and (...) determine that they beg the same prior questions that hunters beg--questions about the new scientific understanding of animal cognition and about the ideal individual and society in the 21st C. Neither side in the philosophical debate is helped by state promotion of hunting, given that anti-hunters also often dispense with the deeper questions and the relevant science. Conclusion: the debate should be based on the new scientific understanding of animals' capacities and on current ideals of the individual and society. State policy should reflect that. -/- thehe state should see that it is on slippery ground when it devises programs to gratify hunters and to encourage the innocent, the reluctant, and the lapsed to take up the practice. (shrink)

I review ornithological literature in order to demonstrate that conventions of description and illustration, as well as some aspects of biological theory relating to birds, put a strong focus on male birds. I criticize the sexist aspects of ornithology from the standpoint of recent feminist philosophy of science, establishing connections between the ways in which we view animals and the ways in which we viewourselves and arguing that it is costly to humans, specifically women, to suggest that females of the (...) nonhuman species are biologically inadequate in relation to their male counterparts. Finally, I note that failure to notice and excise residual sexism in animal science also encourages people to be inattentive to and less considerate of a large and significant part of nature. I conclude with some suggestionsfor reform. (shrink)

The editors cull the works of 11 noted French and German philosophers for their contributions to the debate about what animals are like and how we should relate to them. Each selection gives the gist of the philosopher's view followed by a noted scholar's comments. The result, as Peter Singer notes in his merciless Foreward, is that most of the Continentals have had almost nothing of interest to say on the topic.

These 13 papers try to clarify the nature of literary reference and to show that such reference is a feature of all interpretation. The essays divide into three categories: those delimiting types of reference and their interrelationships, those precising the nature of a particular type,and those concerning the role of reference in literary theory.

The aim of the paper is to show and document the husserlian concern to validate a position of ontological realism, and the inappropriateness of his method to this task. It is precisley the scientific charachter of his philosophy that drew Husserl to idealism and solipsism, despite his original intentions and motivations.

In his Preface to Ideas, Husserl gives a concise overview of his phenomenology and addresses two serious objections to his phenomenological program. My Introduction to his Preface provides the background to the writing of the piece and suggests it does not do enough to counter the charges of psychologism and idealism.

Krukowski, a painter/philosopher, tries to understand postmodern art and then speculates about what post-postmodern art will be. He gives a valuable account of the roots of modernism in 19th C philosophy and of its slide into skepticism about art serving any epistemic function. Postmodern aesthetics though is just an inconsistent mix of modernist ideas and their opposites. Postmodern artists believed themselves creative only by coming up with a work, or an idea, unconnected to modernism. Post-postmodernists will likely do the same (...) to postmodernism since they too are constrained to deny any purpose or progress in art. In that case, Krukowski thinks, art will remain local and marginal, or end altogether. (In the sequel most artists now ignore the philosophical conundrum and get on with producing works, sometimes playful, sometimes deep, sometimes beautiful. This 21st C eclecticism is a welcome respite from the theory wars.). (shrink)

Nicholson's goal is to show that interpretation of a text can be done rigorously and be true. He argues this by showing that perception also has an interpretative dimension yet we usually accept claims rooted in perception as true. This effort to show the soundness of hermeneutical criticism is in fact an attempt to show that anti-foundationalism does not default to relativism. I trace his well-prosecuted argument for the truth of interpretation to the point where it becomes opaque. The argument (...) is nonetheless instructive and helps to better see the conundrum that anti-foundationalists create for epistomologists and perhaps for themselves. (shrink)

This is a collection of articles clarifying the nature of Husserlian phenomenology. Dreyfus argues that, given that Husserl put intentionality at the centre of cognitive investigation and painstakingly analyzed it and related concepts in logic, linguistics and psychology he is the father of current research in cognitive science and artificial intelligence. The authors include Follesdal, Fodor, Mohanty and Searle among others.

Jones sketches a theory of interpretation of literary works and tests it on Middlemarch, Anna Karenina, Brothers Karamazov and A la recherche du temps perdu. The theory centers on creativity and the strong parallelisms between artistic and critical production. The result is that the critic is shown to have considerable latitude in reading a text--perhaps too much. Jones acknowledges the danger of stressing inferred rather than observed features of texts. He sees his sketch of a theory of interpretation as a (...) creative process as a corrective to historical interpretation which has the reader uncover the author's meaning embedded in the text. A fuller account of his theory might skirt the radical subjectivism of criticism beyond the traditional boundaries. (shrink)

Benso wants to lay the groundwork for a new environmental ethic. That involves replacing the ideas of self and non-human nature that permitted Auschwitz and now permits environmental destruction. Benso looks to Levinas and Heidegger who stress human "wholeness" rather than autonomy. The problem, not solved, is that both embed a radical distinction between humans and nature in their theories of the self.

Proceedings of the Banff Congress on Theoretical Psychology. Philosophers and psychologists discuss the relative merits of their approaches to the study of consciousness.